Monday, March 9, 2020
Free Essays on Tennyson And Keats
In the early 19th century, the industrial revolution provoked a return to medievalism by the poets and painters of the age. They wrote about the medieval world as idyllic and harmonious ââ¬â a contrast to their own turbulent century. Although these two poems arenââ¬â¢t entirely idyllic, they are set in the medieval age, and use many similar ideas. The focus was on stories of courtly love, chivalry and tragedy. The two poems I will be comparing are ââ¬ËMarianaââ¬â¢ by Alfred Lord Tennyson (1809 ââ¬â 1892) and ââ¬ËLa Belle Dame Sans Merciââ¬â¢, by John Keats (1795 ââ¬â 1821). They tell of love and loss and explore the realm of unrequited love, but in very different ways. Tennysonââ¬â¢s ââ¬ËMarianaââ¬â¢ was a character taken from Shakespeareââ¬â¢s ââ¬ËMeasure for Measureââ¬â¢. She is a young woman, deserted by her lover and left in a ââ¬Ëlonely moated grangeââ¬â¢. The Poem consists of seven 12-line stanzas; the last four lines of each stanza are always the same, with a slight variation in the last stanza. Thus, one third of the poem consists of a repetition of the last four lines. A lament for Marianaââ¬â¢s lost love. ââ¬ËShe only said, ââ¬ËMy life is dreary, He cometh notââ¬â¢ she said; She said ââ¬ËI am aweary, aweary, I would that I were dead!ââ¬â¢Ã¢â¬â¢ Tennyson often uses repetition in this poem, not only in order to re-enforce the feelings and emotions of Mariana, as he does above, but also on a smaller scale, in order to make a visual image clearer and stronger. He describes the ââ¬Ëglooming flatsââ¬â¢ as ââ¬Ë the level waste, the rounding greyââ¬â¢, forcing the reader to acknowledge, that the gloomy, ââ¬Ëdrearyââ¬â¢ landscape echoes the dreary life that she is living. In his description of Marianaââ¬â¢s surroundings, Tennyson uses the exterior setting, to communicate Marianaââ¬â¢s inner self - to describe her life. This is a Victorian device, called a paysage interieur, the creation of an interior landscape. Alfred Lord Tennyson was one of the ... Free Essays on Tennyson And Keats Free Essays on Tennyson And Keats In the early 19th century, the industrial revolution provoked a return to medievalism by the poets and painters of the age. They wrote about the medieval world as idyllic and harmonious ââ¬â a contrast to their own turbulent century. Although these two poems arenââ¬â¢t entirely idyllic, they are set in the medieval age, and use many similar ideas. The focus was on stories of courtly love, chivalry and tragedy. The two poems I will be comparing are ââ¬ËMarianaââ¬â¢ by Alfred Lord Tennyson (1809 ââ¬â 1892) and ââ¬ËLa Belle Dame Sans Merciââ¬â¢, by John Keats (1795 ââ¬â 1821). They tell of love and loss and explore the realm of unrequited love, but in very different ways. Tennysonââ¬â¢s ââ¬ËMarianaââ¬â¢ was a character taken from Shakespeareââ¬â¢s ââ¬ËMeasure for Measureââ¬â¢. She is a young woman, deserted by her lover and left in a ââ¬Ëlonely moated grangeââ¬â¢. The Poem consists of seven 12-line stanzas; the last four lines of each stanza are always the same, with a slight variation in the last stanza. Thus, one third of the poem consists of a repetition of the last four lines. A lament for Marianaââ¬â¢s lost love. ââ¬ËShe only said, ââ¬ËMy life is dreary, He cometh notââ¬â¢ she said; She said ââ¬ËI am aweary, aweary, I would that I were dead!ââ¬â¢Ã¢â¬â¢ Tennyson often uses repetition in this poem, not only in order to re-enforce the feelings and emotions of Mariana, as he does above, but also on a smaller scale, in order to make a visual image clearer and stronger. He describes the ââ¬Ëglooming flatsââ¬â¢ as ââ¬Ë the level waste, the rounding greyââ¬â¢, forcing the reader to acknowledge, that the gloomy, ââ¬Ëdrearyââ¬â¢ landscape echoes the dreary life that she is living. In his description of Marianaââ¬â¢s surroundings, Tennyson uses the exterior setting, to communicate Marianaââ¬â¢s inner self - to describe her life. This is a Victorian device, called a paysage interieur, the creation of an interior landscape. Alfred Lord Tennyson was one of the ...
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